FILM REVIEW – BLUE IGUANA. With Sam Rockwell, Ben Schwartz, Phoebe Fox, Peter Ferdinando, Simon Callow. Written and directed by Hadi Hajaig. Not rated. 100 minutes.
BLUE IGUANA is a throwback to movies like “Lock, Stock and Two Smoking Barrels” and “Snatch.” They were early works by Guy Ritchie that combined humor and violence in offering a modern and quite British take on the gangster film. Adding Americans Sam Rockwell and Ben Schwartz to the mix may expand its audience appeal somewhat, although it’s only getting a limited theatrical release and otherwise can be seen on Video on Demand.
Eddie (Rockwell) and Paul (Schwartz) are two losers out on parole working at a seedy diner when British attorney Katherine Rookwood (Phoebe Fox) shows up with a proposition. If they will go to London and steal a satchel, she’ll pay them $20,000. After some haggling over the price, they agree, with only lip service given to the fact that leaving the country will violate their parole.
After that, the details are unimportant, with the content of the satchel being merely the means to an end which will explain the film’s title. Suffice to say that there are other people interested in the satchel including a gang boss (Peter Polycarpou) to whom Katherine is indebted and a mulleted flunky (Peter Ferdinando) who leaves a number of bodies in his wake.
Essentially this is a caper film with a lot of people working at cross-purposes. We’re supposed to be rooting for Eddie and Paul in spite of the fact that they’re not the sharpest tools in the shed. Veteran British actors Simon Callow (as a relative teaching the Americans how to talk “British”) and Amanda Donohoe (as a pub owner with whom Paul becomes involved) show up in supporting roles, adding a touch of class to the proceedings, but much of the film consists of the characters plotting or bungling or doing both.
The story is less important than the character turns and so one’s enjoyment depends on the principal actors engaging us. Rockwell and Schwartz play characters who are self-assured with no reason to be, so that it’s hard to empathize with them. They are amusing but cause many of their own problems. Ferdinando and Polycarpou are effective heavies, the former appropriately thuggish and the latter more genteel until he gets violent. It’s Fox who fares best, as the young attorney with a promising career who – for reasons that emerge – finds herself in debt to the mob boss.
If you’re looking for a bunch of eccentric characters shooting each other or otherwise engaging in various acts of mayhem, then “Blue Iguana” may work for you. If you want a complex plot that makes sense with characters who are more three dimensional than comic caricatures, you’ll have to look elsewhere.***
Daniel M. Kimmel is a veteran movie critic and author of a host of film-related books. His latest novel is Time on My Hands: My Misadventures in Time Travel. He is the 2018 recipient of the Skylark Award given by the New England Science Fiction Association. He lives in Somerville, Massachusetts.