FILM REVIEW – CAPTAIN MARVEL. With Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Jude Law, Annette Bening. Written by Anna Boden & Ryan Fleck & Geneva Robertson-Dworet. Directed by Anna Boden, Ryan Fleck. Rated PG-13 for sequences of sci-fi violence and action, and brief suggestive language. 124 minutes.
When we last saw Nick Fury (Samuel L. Jackson) at the end of “Avengers: Infinity War,” he had just sent out an emergency message to Captain Marvel before he joined half of humanity in disintegrating into dust. In CAPTAIN MARVEL, the character is finally introduced in what is the 21st entry in the Marvel Cinematic Universe (MCU) so that she will be able to play a role in the upcoming throwdown, “Avengers: Endgame.” Let’s take a moment to acknowledge the incredible planning that has gone into a series that has been rolling out for more than a decade, with standalone movies still feeding into an overall storyline.
Vers (Brie Larson) is part of a team led by Yon-Rogg (Jude Law) on behalf of the Kree, who are in a galactic battle with the Skrll, shapeshifters who are identified as terrorists. In a lengthy prologue, the Kree try to rescue an undercover agent on a remote world only find out it’s a trap with Vers being captured. She escapes – obviously, or there would be no movie – and lands on Earth, awaiting rescue.
Here two things happen, after which no more will be revealed about the plot. First, it’s 1995, which means it takes place long before the events of the last Avengers event movie, “Infinity War.” It’s also allows a running joke about 1995 technology, from her arrival at a Blockbuster video store to trying to use an Alta Vista search engine. Second, her arrival brings out a young Nick Fury and his junior partner Agent Coulson (Clark Gregg). Through Hollywood digital magic, both seamlessly appear as much younger versions of themselves.
Soon Vers and Fury are trying to escape the Skrll as well as find out information relating to Vers’ past, as it seems she originated on Earth, not among the Kree. For those who don’t already know the story from the comics, the plot has several twists and turns as Vers becomes increasingly aware of her powers and what she is capable of becoming. For those who want to see this as a metaphor for female empowerment, it is a much more interesting and satisfying film than “Wonder Woman” (2017), not to take anything away from Gal Gadot’s star-making turn in that role.
As Vers, Larson has to play a character who is both reclaiming her past and discovering her future. It’s a surprisingly complex role which may be why some of the fan base has been put off by it, and yet she nails it while keeping with the sometimes snarky sense of humor that is the hallmark of the Marvel movies. Jackson looks like he’s having a great time, as we learn a bit about Fury’s backstory. Watch his scenes with Goose the cat, which play out unexpectedly.
In addition to Jude Law, the film also has strong performance from Ben Mendelsohn as Talos (under a lot of Skrll makeup), and Annette Bening in another complicated role that can’t be explained without giving too much away. There’s also a cameo by Marvel creator Stan Lee, filmed before his death last year, that’s perfectly appropriate for 1995.
“Captain Marvel” not only succeeds in its own right, but – with the two closing tags in the end credits – ought to gin up anticipation for “Endgame.” And in case you were wondering, that film opens April 26.•••
Daniel M. Kimmel is a veteran movie critic and author of a host of film-related books. His latest novel is Father of the Bride of Frankenstein. He is the 2018 recipient of the Skylark Award given by the New England Science Fiction Association. He lives in Somerville, Massachusetts.